Four Lions update

I'm still not apologising for promoting this... it's not horror but it is British and I'm sure it's going to be great (and probably not without its harrowing moments). Four Lions is Chris Morris's latest work, and he's the man who brought us the comedy-horror of Jam, so there is a link...
Anyway, some more info about Four Lions...

The film, in cinemas 7th May, has launched its official website over at http://www.four-lions.co.uk/

And the blurb:

Chris Morris’ Four Lions is a funny, thrilling comedy that illuminates modern jihadism through the prism of farce. It understands jihadists as human beings. And it understands human beings as innately ridiculous. What This Is Spinal Tap did for heavy metal and Dr Strangelove the Cold War, Four Lions does for the modern face of terrorism.

In a British city, four men have a secret plan. Omar (Riz Ahmed) is disillusioned about the treatment of Muslims around the world and is determined to become a soldier. This is the most exciting idea Waj (Kayvan Novak) has ever heard. Better still it’s a no brainer because Omar does his thinking for him. Opposed to Omar and everyone else on earth is the white Islamic convert Barry (Nigel Lindsay). He’d

realise he joined the cell to channel his nihilism - if he had half the self knowledge of a duck. Faisal (Adeel Akhtar) is the odd man out. He can make a bomb – but he can’t blow himself up just now coz his sick dad has “started eating newspaper”. Instead he’s training crows to fly bombs through windows. This is what Omar has to deal with.

They must strike a decisive blow on their own turf but can any of them strike a match without punching himself in the face? Four Lions plunges us beyond seeing these young men as unfathomably alien. It undermines the folly of just wishing them away or, even worse, alienating the entire culture from which they emerge. The film is neither pro nor anti religious. The jokes fly out of the characters’ conflicts, excesses and mistakes. Crackling with wit and tension, Four Lions is the essential response to our failure to engage with reality and a high toast to the idea that laughter is better than killing.